Skip to main content
Donate to the 95 years appeal
Prescient parliamentary power struggle
Party time in Parliament: This House

This House
West Yorkshire Playhouse 
Leeds/Touring

 

FIRST staged in 2012 at the National Theatre and now touring nationally, the contemporary political parallels in This House are more striking now than ever.
 

A fictionalised account of the minority Labour government of 1974-79, James Graham's play details the machinations of the power struggle with an intensity that’s only broken by moments of incisive humour.

 

Set within the insular rituals of the Commons, the mood of the outside world occasionally intrudes through a three-piece band that moves from reggae to punk via David Bowie. The cast’s disciplined choreographed moves to Stephen Warbeck’s music neatly shows how the political chaos is being superficially held together by parliamentary convention.

 

And, focusing on the Labour and Tory whips’ offices, the play highlights the deals struck with minority parties and the morally dubious tactics used to cling onto power as the government’s slender majority dwindles.

 

Strategy discussions are cleverly played out as a game of ping-pong between the parties, with the respective offices either lit or plunged into darkness — a simple but effective device that illustrates their ideological and class divide.

 

Yet, across that divide, both parties are willing to wheel out terminally ill MPs to vote and to urge rebels to put party before principle if it means there’s a chance at a power grab. There's a focus too on the casual sexism of both sides.

 

The pace and unrelenting intensity of what's a whirlwind tour of those years in 1970 can become wearing, but it's a play that forces the audience to question the political games played by today’s minority government and the long-term implications they will have for the future.

 

Tours until June 2, details: headlong.co.uk

 

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
tambo
Theatre review / 16 May 2025
16 May 2025

SUSAN DARLINGTON is bowled over by an outstanding play about the past, present and future of race and identity in the US

Jonathan Hanks in A Christmas Carol
Theatre Review / 23 December 2024
23 December 2024
SUSAN DARLINGTON enjoys, with minor reservations, the Northern Ballet’s revival of its 1992 classic
Tristan Sturrock and Katy Owen in Emma Rice’s Blue Beard
Theatre review / 6 March 2024
6 March 2024
SUSAN DARLINGTON revels in an exhilarating adaptation of the gruesome fairytale that invokes the real-life horror of women lost to male violence
(L to R) Eddie Ahrens, Rachel Hammond, Hannah Baker and Harv
Theatre Review / 23 May 2023
23 May 2023
SUSAN DARLINGTON is disappointed by a show that aims to highlight misogyny within the police but fails to arrest the audience's attention
Similar stories
tambo
Theatre review / 16 May 2025
16 May 2025

SUSAN DARLINGTON is bowled over by an outstanding play about the past, present and future of race and identity in the US

A JOY TO WATCH: (l-r) Gabby Wong (Lan Ping, Jiang Qing) and
Culture / 14 April 2025
14 April 2025
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
Joyeuse ridden by James Bowen (left) passes Tutti Quanti rid
Horse racing / 8 February 2025
8 February 2025
Our tipster gives this weekend's lowdown
Doreene Blackstock and Cash Holland in A Raisin In The Sun
Theatre Review / 15 October 2024
15 October 2024
PETER MASON applauds a classic drama exploring assimilation and resistance among poor black inhabitants of a Chigago slum