New releases from Robert Forster, Self Esteem, and Arve Henriksen
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Voice and guitar virtuosity from Roberts and Lakeman
SIMON PARSONS is gripped by a psychological thriller that questions the the power of the state over vulnerable individuals
KEN COCKBURN assesses the art of Ian Hamilton Finlay for the experience of warfare it incited and represents
The bard gives us advance notice of his upcoming medieval K-pop releases
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
Kathryn Roberts and Sean Lakeman
Cecil Sharp House, London/Touring
OUT and about to promote their must-hear new album Personae, Kathryn Roberts and Sean Lakeman win the audience over as much with their candour as the engrossing music they offer up.
Theirs is an intimate set, allowing close-up appreciation of Roberts’s extraordinary vocal range and interpretative skill and Lakeman’s startling guitar mastery.
We're all captivated by the tragic melancholy of 52 Hertz, a song about a Pacific Ocean whale who mysteriously transmitted his calls on a frequency inaudible to other whales — who use a different wavelength — and consequently became the loneliest whale on Earth. Marine biologists believe he was born deaf.
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MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
MICHAL BONCZA reviews Cairokee gig at the London Barbican
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