MATTHEW HAWKINS witnesses a contemporary ballet that represents human life as subjected to artificial intelligence
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Spirit of '68 revisited
NICK WRIGHT recommends an exhibition of artworks marking a turbulent year
by Marwa Paikan
A misfit couple unhappily ever after, a dead man walking, dodgy journos, and trench art trucking
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EWAN CAMERON marvels at the impossible ambition, realised with dreamlike finesse of translating Italo Calvino to the stage
TONY BURKE speaks to JOEL McIVER, co-author of the biography of bluesman John Mayall
London: 1968
Tate Britain, London
TUCKED away in a side room adjacent to the Tate Britain gallery where the paintings of the early 20th century anti-war artist Mark Gertler are displayed — always worth a viewing — is an interesting exhibition of artworks, political ephemera, manifestos and posters that take us back to 1968.
It's an eclectic mix, with a wall of sculptural pieces including artworks from the 1969 ICA exhibition When Attitudes Become Form.
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