On the day of the election, MARTIN GOLLAN reflects on the perennial relationship between the far-right and the back-hander
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Spirit of '68 revisited
NICK WRIGHT recommends an exhibition of artworks marking a turbulent year
MARY CONWAY is gripped by the powerful emotional journeys portrayed by the parents of the perpetrator and victims of a mass shooting
LEO BOIX reviews a novel where shadows deceive and mortality looms, and a poetry collection that refuses to dim
ROBIN STYLES welcomes a boundary pushing work of fiction exploring the life and ideas of the godmother of modernism
PAUL DONOVAN recommends an energetic adaptation of Ken Kesey’s novel, that emphasises how psychiatry is a tool in the hands of a racist agenda
ED WAUGH introduces a special event to commemorate the centenary of the 1926 General Strike
Reviews of Charlotte Cornfield, Michael Weston King, and Gun Outfit
London: 1968
Tate Britain, London
TUCKED away in a side room adjacent to the Tate Britain gallery where the paintings of the early 20th century anti-war artist Mark Gertler are displayed — always worth a viewing — is an interesting exhibition of artworks, political ephemera, manifestos and posters that take us back to 1968.
It's an eclectic mix, with a wall of sculptural pieces including artworks from the 1969 ICA exhibition When Attitudes Become Form.
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