Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Oldies still goldies
PETER MASON sees PP Arnold and Mavis Staples deliver blistering sets at the Cornbury Festival
https://www.youtube.com/watch?v=ANw38xX_EuM
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
PP Arnold + Mavis Staples
Cornbury Festival, Great Tew
SOMETIMES the old ones are the best. On a second day of the Cornbury festival dominated by 20-something female singer-songwriters of a tepid, insipid ilk, it was left to two women in their seventies to inject some much-needed soul into proceedings.
PP Arnold and Mavis Staples have followed very different routes to musical stardom – the former by moving from the US into the excitement of swinging-sixties Britain, the latter mainly by staying close to her bluesy Chicago roots.
But both have retained a heartfelt and joyous faith in the redemptive quality of music that the likes of Pixie Lott, Megan McKenna and Amy MacDonald were unable to convey on other Cornbury stages. Both also possess an easy charisma and gospel-inspired feistiness that can hardly fail to move anyone watching.
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