MARIA DUARTE and ANGUS REID review Materialists, Unmoored, Together, and Bambi: A Tale of Life in The Woods
‘It's true people's music’
ALAN DEIN tells Chris Searle why he's just brought out a unique compilation of East End Yiddisher jazz
The front sleeve Music is the Most Beautiful Language in the World: Yiddisher Jazz in London’s East End, 1920s-1950s
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
STEVE JOHNSON recommends a protest album with a harder edge than many in the genre
DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
MANY of the finest and most memorable records have been defined by their sleeves and that’s strikingly exemplified with Music is the Most Beautiful Language in the World: Yiddisher Jazz in London’s East End, 1920s-1950s.
More from this author
CHRIS SEARLE speaks to Chris Laurence, bassist and bandmate of saxophonist TONY COE
CHRIS SEARLE speaks to vocalist Jacqui Dankworth
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
