WILL STONE samples the 20th anniversary atmosphere of this eclectic end-of-season indie festival
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Murderous consequences, from the Outback to Massachusetts
Comics are not just superheroes and spandex – it can be public art, telling public stories, suggests HARRIET EARLE
The bard serenades the Diggers of Wigan and their festive followers
ALEXEI SAYLE speaks to Angus Reid about a lifetime of protest, how to hone political art – and what to do now
ANDY HEDGECOCK, JAMES WALSH, LEO BOIX and MARIA DUARTE review Just An Illusion, Everybody Digs Bill Evans, Blue Film, Oasis: Don’t Look Back in Anger, and Runner
MARIA DUARTE recommends a nerve-wracking reconstruction of the 72 hours before the Normandy landings
THE VAST cattle properties of the Australian Outback is the setting for The Lost Man by Jane Harper (Little Brown, £12.99).
In empty areas the size of British counties and in burning, never-ending heat, if you wander away from your vehicle you will die. There are no landmarks, no phone reception, no shade, no water and the nearest neighbours are hours away.
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A misfit couple unhappily ever after, a dead man walking, dodgy journos, and trench art trucking
BEN CHACKO unpicks the significance of the discovery, in 2015, of ancient texts about Confucius. Was he simply a teacher, or a philosopher, statesman and saint?
KIM CULLEN enjoys the survey of social work and working-class lives to be found in the superb work of British-Jamaican photographer Sandra George
CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class