MIKE COWLEY relishes an exhibition that reminds us, in the teeth of establishment pushback, that lasting change always begins in workplaces, communities and the street

Carmen
King’s Head Theatre, London
BIZET’S Carmen – an opera which explores the tribulations of its eponymous heroine and the two men who vie for her affections – has been stripped down to its bare essentials in this contemporary retelling by Mary Franklin and Ashley Pearson.
In their version, we first meet Carmen (Ellie Edmonds), a low-paid hospital cleaner on a fag break and Jose (Roger Paterson), also toiling on a zero-hours contract. Swiftly becoming interested in each other, after an altercation with their employer they escape from a life of tedium and hit the road.
Then arrives Escamillio (Dan D’Souza), a strapping Arsenal player who falls for Carmen and sets the proverbial cat among the operatic pigeons.



