Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Kris Drever, Kings Place, London
Understated, observationally acute set from an engaging singer-songwriter
PIC CAP: Mournfully hopeful: Kris Drever Pic: Nick Bramhall
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
WHILE Kris Drever has largely concentrated on pursuing collaborative projects in recent years, this relaxed solo evening, featuring just an amp and a couple of guitars for company, is a reminder that his best work has been done without any outside help.
Aside from a couple of songs stemming from his partnership with the band members of Lau, most of the focus is on his own compositions — some familiar, some not so well known.
The strongest self-penned moments come in the form of two lesser-heard songs in the second half of the set.
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