RITA DI SANTO draws attention to a new film that features Ken Loach and Jeremy Corbyn, and their personal experience of media misrepresentation
Kris Drever, Kings Place, London
Understated, observationally acute set from an engaging singer-songwriter
Mournfully hopeful: Kris Drever
[Nick Bramhall]
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
ANDY HEDGECOCK revels in a hugely enjoyable but deadly serious examination of the 1930s, that is an indictment of our own era
The bard distills our hellish times into fiery words
WHILE Kris Drever has largely concentrated on pursuing collaborative projects in recent years, this relaxed solo evening, featuring just an amp and a couple of guitars for company, is a reminder that his best work has been done without any outside help.
Aside from a couple of songs stemming from his partnership with the band members of Lau, most of the focus is on his own compositions — some familiar, some not so well known.
The strongest self-penned moments come in the form of two lesser-heard songs in the second half of the set.
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