ADAPTING a complex and politically charged classic by literary colossus Henrik Ibsen may seem daunting enough.
[[{"fid":"14380","view_mode":"inlineright","fields":{"format":"inlineright","field_file_image_alt_text[und][0][value]":false,"field_file_image_title_text[und][0][value]":false},"link_text":null,"type":"media","field_deltas":{"1":{"format":"inlineright","field_file_image_alt_text[und][0][value]":false,"field_file_image_title_text[und][0][value]":false}},"attributes":{"class":"media-element file-inlineright","data-delta":"1"}}]]More than that, the new production of his play An Enemy of the People, about to open at The Playground Theatre in west London, promises “a new, diverse, modern adaptation,” a description which might strike dread into many a reviewer’s heart.
All that’s missing is that buzzword “innovative.”



