DAN GLAZEBROOK eavesdrops on the bourgeois intelligentsia and the stories it tells itself at this moment of crisis
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Under Three Moons, Carriageworks Theatre Leeds/Touring
Effectively understated exploration of male friendship
JAN WOOLF is bowled over by a major retrospective for the YBA artist
LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze
KATHRYN JOHNSON recommends the work of Norman Kaplan that was a tool in the struggle against apartheid in South Africa
GAVIN O’TOOLE welcomes a bold feminist subversion of classic folktales that are ubiquitous in the Irish imagination
A novel by Mexican Juan Pablo Villalobos, poetry by Mexican Ingrid Bringas, and a biography by Argentinian Mercedes Halfon
UNDER Three Moons manages to sum up half a lifetime in just three names: Mikey, Mike and Michael.
Low-key: Darren Kuppan and Kyle Rowe (Pic: Alex Mead/Decoy Media)
Mikey, introduced as a loud-mouthed and fidgety teenager on a school trip to France, sits in the cold with the jittery Paul, with his attempts to apologise for a night-time prank hampered by stale notions of masculinity.
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