EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
For The Sake Of Argument, Bridewell Theatre London
Flawed but worthy attempt to unpick arguments over Iraq war
GRIEVING: Paula Cassina in For the Sake of Argument
[Charles Flint]
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
IN FOR the Sake of Argument, members of a combative debating club held in a rundown pub lay into well-worn issues.
They do so merely for the sake of winning the argument and validating their own articulacy, and in charge is Eleanor (Ashleigh Cole), a fervent believer in rational disputation and an unflinching advocate for the 2003 invasion of Iraq.
Her writings persuaded a young man — an unlikely recruit — to sign up for the British army to overthrow Saddam Hussein and his tragic death in an IED blast leads his grieving mother to search out the woman whose words drove him to enlist.
Similar stories
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship