EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
BLACK Waters, Phoenix Dance Theatre’s homage to unexplored cultural histories, focuses on two episodes from Britain’s colonial past – the 1781 Zong ship massacre, during which 130 African slaves were thrown overboard for insurance purposes and the torture of Indian freedom fighters at the Kala Pani island prison between 1858 and 1938.
Rather than present a straight narrative of the events, co-creators Sharon Watson – Phoenix's artistic director – and Shambik Ghose and Mitul Sengupta, from Kolkata-based Rhythmosaic, have chose to explore them through themes of “place, worth and belonging.”
But the impressionistic choreography means that without programme notes it’s virtually impossible to relate movement to subject matter.
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
PAUL FOLEY revels in the coolest, most joyful piece of theatre you’ll get this summer
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage



