EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
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BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
SAVAK
Rotting Teeth in the Horse’s Mouth
(Ernest Jenning Record Co.)
★★★★
THE FOURTH album by SAVAK – the band named after the CIA-backed Iranian secret police during the Shah’s rule – is an energising hit of politically charged punk rock.
A supergroup of sorts, its members all come from other US indie bands – drummer Matt Schulz is from Holy Fuck and co-frontmen Michael Jaworski and Sohrab Habibion from The Cops and the Obits, respectively.
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