New releases from Brian Fallon, Antony Szmierek and Hollow Hand
IN ITS run on Spanish TV, Netflix’s Money Heist was more appropriately titled La Casa de Papel — “House of Paper” — which brings to mind Marx’s characterisation of capitalism as a house of cards.
The first season, to the surprise even of Netflix, was the top ratings hit on the service for a show whose language is not English. The series was the most popular last year in Western Europe and one of the most popular globally.
Why the phenomenal success? The answer lies in the major change Money Heist makes to a long and honourable genre, in which thieves often operate in enclaves of marginalised or working-class bands formed to steal money from an impregnable fortress — think The Asphalt Jungle, Rififi, or The Lavender Hill Mob.
CARLOS MARTINEZ looks at the facts behind US persecution of Fergie Chambers
DENNIS BROE observes how cutbacks, mergers and AI create content detached from both reality and history itself
DENNIS BROE points out that two popular TV series promote police violence and disguise it as ‘fun’
CJ ATKINS commemorates one of the most dramatic moments in working-class history



