MARY CONWAY is disappointed by a three-hander that broaches big themes, but doesn’t transcend dry academia
White Riot
Gripping documentary on the birth and life of the anti-racist movement Rock Against Racism
DAN GLAZEBROOK eavesdrops on the bourgeois intelligentsia and the stories it tells itself at this moment of crisis
JAN WOOLF is bowled over by a major retrospective for the YBA artist
LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze
KATHRYN JOHNSON recommends the work of Norman Kaplan that was a tool in the struggle against apartheid in South Africa
GAVIN O’TOOLE welcomes a bold feminist subversion of classic folktales that are ubiquitous in the Irish imagination
RUBIKA SHAH’S feature-length directorial debut expertly documents the emergence of Rock Against Racism (RAR) that emerged in 1976, just as punk was exploding across Britain.
Using intriguing archive material, eschewing editorialisation and allowing the seven-year story of RAR to be told in the words of those involved, White Riot sidesteps the cliches and pitfalls easily fallen into when portraying punk, or indeed British life, in the mid to late-1970s.
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