RITA DI SANTO assesses the winners of the most politically charged festival to date
Latest editorial
Film round-up
Reviews of Tenet, The Lost Prince, Centigrade, Love You Forever and Get Duked!
KATARZYNA KOSMALA introduces a retrospective by one of the most significant figures in contemporary US photography
MAYER WAKEFIELD is entertained but let down by an audacious production that, sadly, doesn't ring true
MARY CONWAY is disappointed by drama that, despite accomplished performances, cannot overcome an unfocused script
New releases from Sam Carter, Spell Songs and Les Thomas
Tenet (12A)
Directed by Christopher Nolan
★★★
ALL eyes are on Christopher Nolan’s epic and mind-bending sci-fi thriller, the first big blockbuster film to be released during the pandemic, in the hope that it will persuade people to return to cinemas in their droves and save the industry.
Shot in IMAX and 70mm, the visuals are dazzling and beyond spectacular and certainly need to be seen on the biggest screen possible to be appreciated.
Similar stories
ANDY HEDGECOCK, JAMES WALSH, LEO BOIX and MARIA DUARTE review Just An Illusion, Everybody Digs Bill Evans, Blue Film, Oasis: Don’t Look Back in Anger, and Runner
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
LEO BOIX, ANDY HEDGECOCK and MARIA DUARTE review Dreamers, It Was Just An Accident, Folktales, and Eternity