Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
Album reviews with Ian Sinclair
Latest releases from Emma Swift, Bill Callahan and Fontaines D.C.
CHRIS SEARLE wallows in an evening of high class improvised jazz, and recommends upcoming highlights in May
MARY CONWAY applauds the revival of a tense, and extremely funny, study of men, money and playing cards
MEHDI ACHOUCHE explores the constant fascination of cinema with Marxist alienation from Fritz Lang and Chaplin to Bong Joon Ho
FIONA O’CONNOR steps warily through a novel that skewers many of the exposed flanks of the over-privileged
MARY CONWAY applauds the study of a dysfunctional family set in an Ireland that could be anywhere
MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
Emma Swift
Blonde on the Tracks
(Tiny Ghost Records)
★★★
BLONDE on the Tracks is made up of eight Bob Dylan covers by Australian singer-songwriter Emma Swift, now based in Nashville.
It’s a neat idea and it's given extra resonance with Dylan having recently released Rough and Rowdy Ways, his 39th studio album.
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Detailing the deluge of delusion and dishonesty pushed by the pro-war camp, IAN SINCLAIR identifies four key tactics corporate journalists use to confuse audiences and suppress opposition to the proxy war in the east
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