The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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‘Beauty is truth, truth beauty’
The great English poet JOHN KEATS died 200 years ago and his radical understanding of aesthetics reaches far into the future, writes Jenny Farrell
(L to R) John_Keats, sculpture by Vincent_Gray in Chichester, West Sussex; Wentworth Place, Hampstead - now the Keats House museum Pic credits:
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ACCORDING to George Bernard Shaw, John Keats “achieved the very curious feat of writing a poem of which it may be said that if Karl Marx can be imagined writing a poem instead of a treatise on Capital, he would have written Isabella.”
Shaw’s view clashes with that of most mainstream critics, who deny Keats any political thought and declare him a worshipper of some unspecified “beauty.” But the 200th anniversary of Keats’s death on February 23 at the age of only 25 is an opportunity to reclaim the reputation of this revolutionary romantic.
In his time, the implications of the English and then the American and French revolutions, heralding the arrival of capitalist society in Europe and elsewhere, were understood and feared by conservative governments across Europe.
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