MICHAL BONCZA and MARIA DUARTE review The Stranger, Undertone, and Outcome
Pioneering Women
Oxford Ceramics Gallery
PRODUCING utilitarian ceramic vessels is one the most ancient and well-documented human activities. Archaeologists digging at any site anywhere in the world prioritise, above all else, locating pottery as a trusted source of information.
The word ceramic derives from the Greek “keramos” meaning pottery, or a potter, and its Sanskrit root used to mean “burnt stuff.” Hence ceramic describes objects which have been formed with clay, hardened by firing and decorated or glazed.
A kitchen dating back 20,000 years was unearthed in a cave in China in the early 2000s, with a wealth of pottery fragments and a similar find in Britain — the Windmill Hill “cooking” pot — dates back to the Neolithic period of 4,000 BC. Today’s meat-and-lentil stew recipes can be traced to that era.
KATAYOUN SHAHANDEH surveys Iran’s cultural heritage and explains what has been damaged and what could be lost
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JAN WOOLF ponders the works and contested reputation of the West German sculptor and provocateur, who believed that everybody is potentially an artist
KEN COCKBURN assesses the art of Ian Hamilton Finlay for the experience of warfare it incited and represents



