RITA DI SANTO assesses the winners of the most politically charged festival to date
Nomadland (12A)
Directed by Chloe Zhao
INDEPENDENT film-maker Chloe Zhao made history this week with this quietly understated but powerful drama about the little-known life of modern-day nomads in the American West, by becoming the first woman of colour and the first Asian woman to win the Academy Award for best director.
The film, which scooped three accolades at this year’s Oscars, is based on Jessica Bruder’s non-fiction book Nomadland: Surviving America in the 21st century, which Zhao adapted for the big screen.
ANGUS REID, ANDY HEDGECOCK and MARIA DUARTE review On The Sea, A Useful Ghost, Brunello: The Gracious Visionary, and Pinocchio Unstrung
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review The Six Billion Dollar Man, Avatar: Fire and Ash, Goodbye June, and Super Elfkins


