Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Walter Price: Pearl Lines
Accomplished exploration of the figurative and the abstract
HIGHLY ACCOMPLISHED: It has to rain before you can see where all the leaks are at, 2019
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
WALTER PRICE’S first major institutional exhibition in Britain includes an intriguing group of new paintings and drawings made during lockdown in New York, where he is based.
During that period Price, who is in his thirties and has been exhibiting since 2013, used up whatever materials were on hand in the studio, without ordering in anything new.
That meant he sometimes had to work with the last knockings of his acrylic paints, mixing them with white and producing works dominated by pastel colours.
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