EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
England, the Old People’s Home
My mother walks cold corridors, lost
underneath a mask. Bends to do her dirty work,
Picking up white people’s shit.
Not a metaphor, how she feels about this land,
but a turd left on the floor, her duty done with care
as another wreck of bones squats
to release his thoughts about the influx —
Why are there so many blacks?
The mask stops her from howling in response.
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