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In memory of Michael Horovitz
A unique poet, cultural organiser, editor, visual artist, translator and mentor
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
A recognition that individually we are powerless both politically and socially is essential, writes GORDON PARSONS
ON JULY 7, yet another cultural comrade of mine left this Earth at the age of 86 — the pioneering performance poet and tireless, almost evangelical promoter of all things poetic, jazzy, artistic and sometimes just downright batshit weird, Michael Horovitz.
He started performing and organising poetry events in the 1950s and was one of the prime movers behind the groundbreaking and rumbustious, by poetic standards of the time, legendary Royal Albert Hall beat poetry “happening” of 1966.
“Misbehaving” beat poets somehow got poetry banned from the RAH for the next 18 years. God knows how long the ban would have been if we punk poets had been there.
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