DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
The Slinkopator and Hornicator win the day
(L to R) The Slinkopator; Thomas Truax with ardent fans
[Justine Glazebrook] 
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
GAVIN O’TOOLE welcomes the reissue of a seminal work of revolutionary theory that have genuine relevance in the current context
Wood Festival 2022
Braziers Park, Wallingford, Oxfordshire
WOOD FESTIVAL is well established as one of the most family-friendly festivals in Britain and, broadly speaking, the music tends to fall into two main categories — folk-tinged Americana or Afro-dance fusion.
Representing the latter category are five-piece WEMA, at the heart of whose sound lies a combination of acoustic Tanzanian sounds and vocals with heavy electronics.
This set was their first ever live show after two years of online collaboration.
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GEORGE FOGARTY falls under a spell of an unpretentious gathering that is as edifying as it is entertaining
GEORGE FOGARTY is stunned by the epic and life-affirming sound of an outstanding Palestinian musical collective
GEORGE FOGARTY is mesmerised by the messages made when jazz is played by people who grew up steeped in jungle and hip-hop
GEORGE FOGARTY applauds a show that punches down alt-right-friendly comedy
