EWAN CAMERON witnesses a political farce that lacks a clear message
No blanks in Lydon’s reloaded pistols
A round of applause for Lydon at the end of the night
[Mik Sabiers]
EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
PiL (Public Image Limited)
Kentish Town Forum
CONTRARIAN, curmudgeon, punk and provocateur, former Sex Pistol John Lydon’s public image remains controversial, but London’s Forum is instead packed out to hear his flagship post-punk band Public Image Limited, commonly known as PiL.
Bounding on stage with the declaration “Back by popular demand” in his own distinctive drawl, the next 90 minutes showcase the band’s brand of post punk rock with a heavy accent of bass.
Opener Religion II is a focused, screaming attack of a song expertly delivered by Lydon backed by a band that tightly match each other’s moves and grooves.
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