DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
A memory lane like no other
Neil Hannon songwritting has withstood admirably the often cruel passage of time, writes JAMES WALSH
Neil Hannon at the Barbican aided by an orchestra and some very fine musicians
[Carmen Fishwick] 
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
GAVIN O’TOOLE welcomes the reissue of a seminal work of revolutionary theory that have genuine relevance in the current context
The Divine Comedy
Barbican, London
“MAYBE it’s tonight. Maybe tomorrow night, next week, next month, next year / We’ve only time to fear”
More from this author
JAMES WALSH takes advantage of an evening of comedy snippets to pick out which clowns will make it in Edinburgh
JAMES WALSH has a great night in the company of basketball players, quantum physicists and the exquisite timing of Rosie Jones
JAMES WALSH is moved by an exhibition of graphic art that relates horrors that would be much less immediate in other media
JAMES WALSH applauds the observations of a new Chinese master of stand-up
