MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
A profound meditation on loss of identity
The once controversial book A Single Man receives an excellent stage adaptation, writes SIMON PARSONS
single man
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
A Single Man
Park Theatre
CHRISTOPHER ISHERWOOD, the writer whose novel inspired the musical Cabaret, always considered A Single Man to be the favourite of his nine books. This semi-autobiographical work follows a day in the life of a British expatriate gay man living in Santa Monica, post Cuban Missile Crisis.
Originally controversial because of its homosexual protagonist, the book is about far more than this and at the heart of Simon Reade’s excellent stage adaptation are the multiple roles George, the eponymous character, performs in facing a day unable to move on after the tragic death of his partner.
George, played with dignified restraint by Theo Fraser Steele, reveals moments of true anguish only when totally alone and caught off guard by his memories, otherwise his roles as college professor, freeway driver, friend and mentor allow him to continue to live for the moment reflecting on the world around him and his own identity defined not by the past or others but by what he knows.
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