STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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Album reviews with Chris Searle: November 28, 2022
New releases from Ches Smith, Brandon Lopez/Ingrid Laubrock/Tom Rainey and John Taylor Sextet
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
Ches Smith
Interpret It Well
Pyroclastic Records
★★★★★
THIS album is a sizzler. With percussionist Ches Smith, pianist Craig Taborn, Mat Maneri playing viola and guest guitarist Bill Frisell, it’s a melange of full-blooded musicianship, on-the-cusp melody and ever-inventive improvisation that frees its listeners’ spirits to make their own interpretations after months of creative confinement.
The music’s “open sections told their own stories, revealing unearthed dimensions,” says Brooklyn-based Smith. Taborn’s pianism is like universal drums — listen to the title track — so much so that he and Smith are like two drummers drumming.
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