MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
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Hartnoll gold
WILL STONE applauds a band that is never one to shy away from making a political statement
gig review
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
Orbital
Hammersmith Apollo
THE Hartnoll brothers known as Orbital, an album techno institution, are back with bells on as they gear up, with trademark head lights, to assault the senses with their legendary high-octane performance boosted by a vibrant visual display.
Their latest offering, Optical Delusion, is a mixed bag featuring some of the duo’s most unlikely collaborations including the Mediaeval Babes and Sleaford Mods.
The gurning face of the latter’s vocalist Jason Williamson is projected on a big screen to sing the words from their track Dirty Rat, an acid-tongued take-down of the anti-immigration brigade “blaming everyone at the bottom of the English Channel.”
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WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
‘There's outrage aplenty in this production but we never quite get to the dark night of the soul,’ writes WILL STONE
WILL STONE applauds a quartet of dance vignettes exploring the joys and sorrows of the human condition
