ANGUS REID squirms at the spectacle of a bitter millennial on work experience in a gay sauna
Sympathy for the devils
‘There's outrage aplenty in this production but we never quite get to the dark night of the soul,’ writes WILL STONE
HOMOSEXUAL REPRESSION: Kingsley Ben-Adir as Brick and Seb Carrington as Skipper
[Marc Brenner] 
PAUL BUHLE agrees that a grassroots movements for change in needed in the US, independent of electoral politics
MIKE COWLEY relishes an exhibition that reminds us, in the teeth of establishment pushback, that lasting change always begins in workplaces, communities and the street
ED RAMPELL is disappointed by the confusing results of embedding cameras amid a Ukranian platoon
KEVIN BRYAN reviews Soul 66, Suzy Thompson, and Butterfield Blues Band
With reservations, RON JACOBS recommends a deep dive into the nature, history, and mindset of US intelligence
Cat On A Hot Tin Roof
Almeida Theatre
TENNESSEE Williams’s favourite play is a masterpiece of richly drawn characters, open to seemingly endless interpretation.
Set on a cotton plantation in the Deep South, the original 1955 production had a white cast performing as the family of wealthy landowners with black actors playing servants.
Since then productions have featured an all-black cast and those set in the modern era complete with mobile phones and iPads.
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BBC accused of silencing acts at Glastonbury for standing in solidarity with Palestine
