Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Film round-up: April 6, 2023
The Star's critic MARIA DUARTE reviews Godland, Leonor Will Never Die, Ride On, and Lola
film round up
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Godland (12A)
Directed by Hlynur Palmason
★★★
SET in the late 19th century when Iceland was under Danish rule, this bleak, slow-burning drama explores the differences between the two countries, in their temperaments and their languages as well as religious belief and notions of mortality.
The film, written and directed by Hlynur Palmason, follows a young idealistic Danish priest Lucas (Elliott Crosset Hove) who is sent to a remote Icelandic area to build a church, lead the congregation and photograph the local people.
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