BEN CHACKO speaks with Knesset member OFER CASSIF about rising political violence, the prospects for peace and his continuous ‘silencing by suspension’
Edinburgh International Festival — where do we go from here?
Festival board member ANN HENDERSON reports on the opening of a cultural behemoth determined to now embrace a more social role
Cuban dancers in Bristo Square, August 7, 2023
The choice between two Blairites to revamp the tepid centrism of our ruling party doesn’t even come as cold comfort as we wander the city streets suffering from their third decade of austerity and the fifth of wage stagnation, writes MATT KERR
HENRY FOWLER puts the strike of public-sector workers in New Zealand in the wider context of deteriorating employment conditions throughout the world’s major economies
MAT COWARD looks back at a protest 105 years ago this month, whose reporting by the media bears uncomfortable similarities with demos today
The Tricontinental Institute for Social Research explores the factors that are bringing today’s highly educated but often underemployed young people out onto the streets, from Chile, to Algeria, to Nepal
The nation’s leading second-hand socialist bookseller that has been running strong for 33 years is changing hands and expanding its vision — now is the time to get involved, buy, donate and support, writes ANDREW MURRAY
THE Edinburgh International Festival (EIF) opened last weekend, with fantastic performances and an energy which was very refreshing. In her first year as festival director, Nicola Benedetti has taken as her theme from Martin Luther King Junior’s last book Where do we go from Here: Chaos or Community?
The Hub, the building at the top of the Royal Mile by Edinburgh Castle, where the staff team is based and which was traditionally a festival hub, is open to the public, with a range of free (ticketed) events and evening performances. The opening night there, on Sunday August 6, brought some of those musicians together in warm and high-spirited performances, joined at various points by Benedetti.
Benedetti also played earlier that afternoon, with the Grit Orchestra, a unique ensemble which brings together leading jazz, folk and classical musicians, played in the Ross Bandstand in Princes Street Gardens for all to hear — in collaboration with the Royal Conservatoire of Scotland, the performance was well received.
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