ANGUS REID, ANDY HEDGECOCK and MARIA DUARTE review On The Sea, A Useful Ghost, Brunello: The Gracious Visionary, and Pinocchio Unstrung
Latest editorial
Album reviews with MICHAL BONCZA
New releases from Sam Eastmond, Angharad Jenkins and Patrick Rimes, Gabriel Moreno
RON JACOBS enjoys a great tale, told by a US communist, of the lives of working-class New Yorkers
BRENT CUTLER searches a new history of contemporary Iran for an understanding of the Islamic Republic, finding both interesting detail and glaring omissions
MARIA DUARTE recommends the true story of the remarkable woman who sued Donald Trump for sexual assault not once, but twice
KENNY MacASKILL is disappointed by a polemical, rather than factual, account of the Lone Star State and its political path since the civil war
PAUL DONOVAN is fascinated by the lives of Charles and Mary Bagot, and the insight this biography shines on the morals of pre-Victorian society
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
Sam Eastmond
The Bagatelles Vol 16
(Tzadik Records)
★★★★★
NEW YORKER John Zorn is an avant-garde musician singularly unconcerned by and working outside the “mainstream,” and yet simultaneously having a profound influence on it.
His Book of (300) Bagatelles (a term used since 1827 for pieces of light music) comprises three-minute-burst micro-collages that are as unexpected as they are fascinating.
Sam Eastmond, a London-based Jewish musical polymath, brings an innate feel for and astonishing invention to his interpretation of Zorn’s soundscapes.
Similar stories
New releases from Old Spot, Chris Marksberry, and Clementine Lovell
New releases from Shearwater, Florry, and Navy Blue
New releases from Kneecap, Sam Blasucci, and Juni Habel
New releases from Kennedy Administration, Melanie Pain, and Afton Wolfe