The bard gives us advance notice of his upcoming medieval K-pop releases
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Film round-up: February 29, 2024
Rebel messiahs, radicalised daughters, talking spiders, and troublesome mothers: The Star's critic MARIA DUARTE reviews Dune: Part Two (★★★★), Four Daughters (★★★), Spaceman (★★★), and Driving Mum (★★★)
FAMILY EPIC: Dune: Part Two; Driving Mum
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival
Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
Dune: Part Two (12A)
Directed by Denis Villeneuve
★★★★
FOUR months later than expected, due to the actors’ strike, Denis Villeneuve’s continuation of this epic saga is on an even grander scale than before, with breathtaking visuals, hair raising action scenes, a bigger and star-studded international cast, and chock-full of political intrigue and machinations.
Based on the second half of Frank Herbert’s novel Dune, this film picks up exactly where the first one ended. It follows Paul Atreides (Timothee Chalamet) as he unites with Chani (Zendaya) and the Fremen led by Stilgar (a sublime Javier Bardem) while seeking revenge against the conspirators who destroyed his family. It shows his transformation from earnest young man into rebel Messiah, in which he forsakes the love of his life for political triumph and mythic destiny.
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