PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
Latest editorial
Fancy a TV binge?
Among upcoming TV series available globally, DENNIS BROE picks out the good, the bad and the interesting
TV series
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
New releases from Brown Horse, Craig Finn, and Julien Baker & TORRES
STEVE JOHNSON, CHRIS SEARLE and TONY BURKE review new releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Good:
Machine (ARTE/Amazon Prime)
This series, written by Thomas Bidegain (A Prophet), currently available to be streamed for free on the Arte website, crosses the always vibrant French social realist tradition with kung fu sequences.
A young woman, escaped most likely from the French military, hiding out in a small town and counselled by a Marxist worker of colour, combats factory goons intent on breaking a strike in support of keeping the factory in France instead of the buyer’s intention of moving it to Poland to save money.
The male-female camaraderie and the concealed power of the female combatant echoes the Gina Davis/Samuel L Jackson film The Long Kiss Goodnight and makes for a compelling ride.
More from this author
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
