Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
The neglected graves of the victims of empire
The Star's critic MARIA DUARTE recommends a film that uncovers the shameful role played by the island of St Helena in slavery and colonialism
st helena
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
A Story of Bones (12A)
Directed by Joseph Curran and Dominic Aubrey de Vere
THE island of Saint Helena, a tiny British overseas territory, is most renowned for being Napoleon Bonaparte’s place of exile and death, and where his empty grave is a major tourist attraction. But what is less well known is its disturbing history connected to the transatlantic slave trade.
Joseph Curran and Dominic Aubrey de Vere’s powerful and sobering debut feature documentary shines a much-needed poignant light on British colonialism, slavery, racism and identity.
More from this author
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
