STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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Underlining the senselessness of war
Odysseus’s homecoming myth is treated as a factual story, with strong resonances for our contemporary world. This is an implicit anti-war film that has an urgent relevance, writes JOHN GREEN
TOUR DE FORCE: for Ralph Fiennes as Odysseus
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
The Return
Directed by Uberto Pasolini
★★★★
STARRING Ralph Fiennes and Juliette Binoche, The Return retells the story of Odysseus’s homecoming 20 years after waging war against the Trojans.
Based on Homer’s mythological tale, it has been adapted by Edward Bond, John Collee and Uberto Pasolini, who also directs.
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