SAHAR MARANLOU explores a novella, newly translated and republished in English that tells the history of Iran through women’s bodies
Dusting off a Shakespearan fairy tale
GORDON PARSONS applauds a production which turns a Jacobean obscurity into a dreamlike journey
DREAM-LIKE: Alfred Enoch as Pericles
[Johan Persson]
CHRISTOPHE DOMEC relishes a dizzyingly precise fiction that relays the problem of reporting the truth
DAVID NICHOLSON applauds the revival of a joyous production that deals with choirs, competitions and communism
New releases from Peruvian Ranil y Su Conjunto Tropical, Leve Leve: Sao Tome & Principe, and South African BCUC
MARY DAVIS welcomes a remarkable documentary about the general strike — politically spot on, and featuring accounts from the strikers themselves — that is available for screenings
MICHAL BONCZA and MARIA DUARTE review The Stranger, Undertone, and Outcome
Pericles
The Swan Theatre, Stratford-upon-Avon
THIS fairy tale for adults, thought to have been only partially Shakespeare’s work, is relatively rarely produced today on the modern stage. It did not even appear in the First Folio, the Bard’s Bible. Yet it was apparently very popular in its own day.
Tamara Harvey’s new production for the RSC should serve to resurrect its popularity.
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