MARIA DUARTE picks the best and worst of a crowded year of films
Rag Argonauts
Alan Morrison, Caparison Press, £12
RAG ARGONAUTS is Alan Morrison’s 12th volume of poetry. Over the course of that sustained output he has perfected a style that is as comfortable with longer-form poems as it is with shorter lyrics, that encompasses historical and political themes and employs a broad range of references and allusions to foreground the poems.
The title of the new collection sets us on a voyage that traverses several time periods and locations, during which we encounter various real and mythological figures.
Early in the collection Hauntology is nostalgic for 1970s Britain with its “anoraks/ & balaclava helmets, the high-backed bikes;/ the characterful, curvaceous cars more varied in shape & colour—like wheeling sweets;/ chilled milk in glass bottles, chocolate bars in paper wrappers, Lucozade in squeaky orange cellophane” but what the poem grieves for most of all is “the future/ that we were anticipating, the authentic/ tomorrow of matt & meritocracy, mutual/ improvement, cooperativeness, progressive/ ideas, transgressive television, Play For Today,/ punk’s political music—all abruptly aborted.”
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today



