IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
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Predictive anti-drama
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
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High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
East is South
Hampstead Theatre, London
AI IS a grim subject. And Beau Willimon’s East is South at Hampstead Theatre does nothing to alleviate the gloom.
The play is set in a light, clean but bleak interrogation room. A lone young woman communes with herself, and possibly God, seemingly unaware that figures on a balcony watch her every move. She and a fellow systems-programmer are suspected of… well, predictable things: messing with the highly intelligent, fearsomely dangerous AI beast they’ve created, anthropomorphising it, double or triple dealing with Russia and other foreign powers, having a secret affair with one another, and potentially releasing a super-intelligence into the world at large.
A thriller possibly. If so, where’s the suspense?
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