An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company
MATTHEW HAWKINS explores the initiatives proposed by HEALING ARTS SCOTLAND
MATTHEW HAWKINS considers the opening offering at the National Festival of Korean Dance
SUSAN DARLINGTON appreciates a retelling of the Merlin myth that emphasises family and belonging