Latest editorial
GORDON PARSONS recommends an entertaining account of the years between Germany’s defeat in WWI and Hitler’s seizure of power
Let’s get physical
In the digital era, there’s a lot to be said in favour of old-school music products, writes James Walsh
MIGUEL YOSHIDA explains the evolution and influence of the Cuban Casa De Las Americas in joining culture to the revolutionary struggle
ANDY HEDGECOCK is charmed by a skilful adaptation of Tove Jansson’s lyrical portrait of three generations of a family, overcoming grief
ALEX HALL treads warily through a messy, dialectical struggle fought in the mundane machinery of driving licences, criminal law, and birth registries
MICHAL BONCZA, FIONA O’CONNOR, JAMES WALSH and ANGUS REID review Atlas of Disappearance, Love Me Tender, Bouchra, and This Tempting Madness
Flitting between myth and the modern world, Medusa is determined to steer clear of human affairs. When her resolve crumbles, the result is petrifying in every sense
TIMED beautifully to meet the Christmas rush, Adele’s new album 25 is set to be the fastest selling in Britain ever, beating the Oasis masterpiece Be Here Now for first week sales.
In the US, the album has already broken the first-week sale record, as people across the nation prepared for Thanksgiving dinner with big-budget balladeering.
Adele is a savvy businesswoman. She’s refusing to allow her album to appear on streaming sites like Spotify, though it’s still available as a paid download.
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