GORDON PARSONS recommends an entertaining account of the years between Germany’s defeat in WWI and Hitler’s seizure of power
My People
Theatr Clwyd, Mold
3/5
STEFFAN DONNELLY’S skilled adaptation of Caradoc Evans’s My People has cleverly knitted 12 disparate stories from a century ago into a 2015 frame.
An impressive cast, working their socks off, play multiple characters in this fast-moving ensemble piece and the solutions which directors Donnelly and Aled Pedrick and designer Cecile Tremolieres have found to the significant demands of the script are effective, inventive and often witty.
The Odyssey is a tale of evasions and half-truths; this reflects the effects of traumatic ‘moral injury’ common to war veterans, suggests STEPHAN BLUM
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company
CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
STEVE JOHNSON relishes a celebration of the commonality of folk music and its links with the struggles of working people the world over



