GORDON PARSONS recommends an entertaining account of the years between Germany’s defeat in WWI and Hitler’s seizure of power
Rebecca
Alhambra Theatre
Bradford/Touring
4/5
WITH one of the most famous opening lines in literature and an Oscar-winning film adaptation by Alfred Hitchcock, it’s not for the faint-hearted to turn for artistic inspiration to Daphne du Maurier’s 1938 Gothic thriller Rebecca.
But where others have given the novel a literal interpretation, the Kneehigh company has brought to it its usual mix of irreverence.
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY



