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GORDON PARSONS recommends an entertaining account of the years between Germany’s defeat in WWI and Hitler’s seizure of power
‘Hardly politically correct’
Iain Aitch speaks to Tim Wells and is tempted to steal as his own many of the the poet’s acute, crafted observations
MIGUEL YOSHIDA explains the evolution and influence of the Cuban Casa De Las Americas in joining culture to the revolutionary struggle
ANDY HEDGECOCK is charmed by a skilful adaptation of Tove Jansson’s lyrical portrait of three generations of a family, overcoming grief
ALEX HALL treads warily through a messy, dialectical struggle fought in the mundane machinery of driving licences, criminal law, and birth registries
MICHAL BONCZA, FIONA O’CONNOR, JAMES WALSH and ANGUS REID review Atlas of Disappearance, Love Me Tender, Bouchra, and This Tempting Madness
Flitting between myth and the modern world, Medusa is determined to steer clear of human affairs. When her resolve crumbles, the result is petrifying in every sense
If London were to elect its own poet laureate then it would be hard to look past East End wordsmith Tim Wells and not just because he’s a big fella.
Wells’s carefully honed verse can appear bold, brash and lewd to the uninitiated or un-listening. But watch the man in action, listen with a pint in your hand or delve into his new collection Everything Crash and you realise that for every bog door joke there is a piece of classical inspiration. And for every mention of a reggae floor-filler there is a crafted observation so acute that you want to steal it as your own.
Judge by appearances and you’ll miss the button-down shirt-attired suedehead verbalist deliver lines in Yiddish, Sylheti, Cockney and Jamaican patois.
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