GORDON PARSONS recommends an entertaining account of the years between Germany’s defeat in WWI and Hitler’s seizure of power
YOU might think that the mind-boggling postulates currently exercising the finest scientific minds concerning the quantum multiverse theory might not be the stuff of red-blooded theatrical engagement.
You’d be wrong, though, because Constellations by Nick Payne is a wholly engaging and thought-provoking dramatic conceit.
It explores the possibility that we may all be inhabiting only one of many universes and poses the question “what if?” in a rom com, originally produced at the Royal Court, which has unusual intellectual rigour.
In it beekeeper Roland (Joe Armstrong) hooks up with cosmologist Marianne (Louise Brealey) at a barbecue and, in a subsequent series of short and often witty scenes, the alternative directions their ensuing relationship might take, from the first flush of passion through separation and a possible reconciliation — the latter underpinned by personal tragedy — is explored from radically different perspectives.
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship



