ANGUS REID urges us to understand the persecution of Jason Arday from a political and historical perspective, and to see the victim in human terms
Fools the theme, Satire the song
WILL STONE relishes a refreshingly irreverent raconteur's record on politics at the turn of the millennium
George Osborne's "weird nose, weak chin and cruel eyes... the fact he clearly has no bones in his head, his skull replaced by lard and gristle"
Re-releases of the classics Gypsy Rhumba and Buena Vista Social Club, and a stunning album by Palestinian artist Faris Ishaq
Nothing, says ANDY HEDGECOCK, can rescue this undistinguished amalgam of ponderous melodrama and shallow philosophical speculation
JAMIE BRITTON invites readers to visit 3,500 locals as part of a marathon artistic pub crawl
JOHN GREEN welcomes a valuable and incisive analysis of a world become hyperpolitical but without the mass movement institutions to represent it
As I Please: And Other Writings, 1986-2024
Martin Rowson, Seagull Books, £19.99
ONE of the most celebrated political cartoonists of our age, Martin Rowson has a decades-long written record of equally skilful takedowns of the world’s many hypocrisies and hypocrites, proving to the detractors that cartoonists can write. Shock, horror!
The all-singing, all-dancing Rowson spent 20 years from 1997 showcasing his ready wit in the pages of the left-wing Tribune magazine for its As I Please column — a slot originally occupied by none other than George Orwell in the 1940s. Rowson himself admits to “squatting” in Orwell's column in a June 2003 article marking 100 years since the author’s birth.
But in reality the column — which gave Orwell carte blanche to improvise on any subject he pleased — is the perfect modus operandi for Rowson’s eccentric, offbeat mindset.
Star cartoonist MALC MCGOOKIN finds lessons for today in the punch, and the economy of line, of an extraordinary generation of illustrators
