MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
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I gotta get to hurtin’
PAUL STEPHEN ADEY explores how rap can create catharsis for both artists and fans
(L) Earl Sweatshirt performing with the rest of Odd Future in March 2012; (R) Kemba
[Tyresehasabrain/CC; Frank Schulenburg/CC]
MATTHEW HAWKINS rakes through un-fancy words and flair-free summaries to find who and what might be flamboyant
PETER MASON is exhilarated by an exciting, well-considered and historically minded tribute to the great Trinidadian instrument
Reducing historical lives to ‘male’ and ‘female’ roles, we lose the nuance of those lives and a clearer understanding of past societies, suggests CLAIRE ISABELLA GILMOUR
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
I HEARD a rapper’s verse a while ago that stopped me in my tracks. The artist was Kemba and the song, Daemons, featured on the posthumous album Bad Vibes Forever (2019), by the conflicted and gifted artist XXXTentacion.
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