GORDON PARSONS recommends an entertaining account of the years between Germany’s defeat in WWI and Hitler’s seizure of power
Mozart: Piano Concerto No. 20
in G minor, K466
Mahler: Symphony No.1 (Der Titan)
in D Major
Nottingham Royal Concert Hall
4/5
CONDUCTING Mozart’s K466 from the piano and leading the Philharmonia Orchestra through the gargantuan peaks and troughs of Mahler’s first symphony in the same programme requires a combination of several qualities — talent, arrogance, confidence, energy and experience among them.
While age is no barrier to the first and third, and might well be a positive asset when it comes to the second, a musician of just 26 surely hasn’t been alive long enough to acquire the last.
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
Chris Searle speaks to British pianist ZOE RAHMAN
PETER MASON thrills to the sound of south London-born Yussef Dayes, and the galaxy of musicians drawn into his orbit
WILL STONE witnesses an experimental piano concerto inspired by the work of a young Jewish victim of the Nazis



