JAMES WALSH is moved by a provocative and original take on the relationship between ecology and architecture, and a plea to work with, not against, the materials and minerals of our world
Macbeth
Shakespeare’s Globe, London SE1
3/5
IF EMMA Rice, the new artistic director at Shakespeare’s Globe, wants everyone to know that there is someone different in charge at the theatre then she has certainly succeeded.
Following a radical reworking of Shakespeare’s A Midsummer Night’s Dream and a more traditional Taming of the Shrew comes this Iqbal Khan production of the Bard’s Macbeth, which often seems not to know which of those two camps it wants to fall into.
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class



